ALPHAPRODUCTION HOUSE

ALPHA PRODUCTION HOUSESIGNATURE / X06

HAIR & MAKEUP ARTIST

ABDUR REHMAN (MEXICO).

HAIR & MAKEUP/ X06

The screen look.
The people behind the picture.

Prepares approved screen looks and maintains their continuity across rehearsals, takes and scheduled scenes.

ROLE AT ALPHAHair & Makeup ArtistEMPLOYEE CODEX06

ABDUR REHMAN (MEXICO) / ALPHAX06

MY ROLE / 01SELECT A POINT ON THE RING

Agree the character’s appearance.

Review references and performer needs, and confirm the planned look with the relevant creative team.

THE ALPHA STUDIO SIGNATURE / X06SCROLL TO DISCOVER ↓ALPHA / X06

02 / THE PERSON

One company.
A connected approach.

Prepares approved screen looks and maintains their continuity across rehearsals, takes and scheduled scenes.

ABDUR REHMAN (MEXICO) / X06

Hair & Makeup Artist at ALPHA.

ABDUR REHMAN (MEXICO) · Hair & Makeup Artist · ALPHA Production House. Hair and makeup prepares the approved appearance of a performer for the screen. The work connects character references to practical preparation and touch-ups so the intended look remains coherent across the required scenes. This professional brief explains the role’s contribution, the work it involves and the information other people need when collaborating with this part of the company. Responsibilities are carried out within the assigned brief and the relevant department’s approval process.

Works with performers, the director, wardrobe, camera and script supervisor; specialist prosthetic work requires the appropriate practitioner.

MY PLACE AT ALPHAX06HAIR & MAKEUP

Hair & Makeup Artist · ALPHA Production House

The people behind the production

Part of the team.

ABDUR REHMAN (MEXICO) works within the hair & makeup function at ALPHA Production House.

A HUMAN APPROACH. A CREATIVE MINDSET.

Hair & Makeup Artist.
Behind the production.

THE SCREEN LOOK
Hair & Makeup · ALPHA Production House

Explore the full role story ↗

ALPHA / THE NEXT CHAPTER

Studio light on

Bring the set
to life.

THE WORK BEHIND THE PRODUCTION

Every scene needs
a connected team.

Agree the character’s appearance.

Review references and performer needs, and confirm the planned look with the relevant creative team.

03 / MY ROLE

The work behind
the production.

The responsibilities and practical work within this role at ALPHA Production House.

Showing 6 responsibilities.

01

LOOK

Review character references and scene-by-scene appearance requirements.

Hair & Makeup / Hair & Makeup Artist

02

PREPARE

Prepare products and tools using appropriate hygiene practices.

Hair & Makeup / Hair & Makeup Artist

03

TOUCH-UP

Confirm performer needs and obtain approval for the planned look.

Hair & Makeup / Hair & Makeup Artist

04

LOOK

Apply agreed hair and makeup within demonstrated competence.

Hair & Makeup / Hair & Makeup Artist

05

PREPARE

Check the look under shooting lights and perform required touch-ups.

Hair & Makeup / Hair & Makeup Artist

06

TOUCH-UP

Record continuity references and complete cleaning and stock checks.

Hair & Makeup / Hair & Makeup Artist

04 / WORKING APPROACH

Clarity at every step.

From character references to screen continuity. A connected approach from the brief to the final handover.

THE WORKING APPROACH

Start with what matters.

Review the brief and agree the screen look.

05 / THE PROFESSIONAL STORY

The person.
The work behind the role.

A detailed view of ABDUR REHMAN (MEXICO)’s role, daily responsibilities, collaboration and contribution at ALPHA Production House.

01

The role at ALPHA

ABDUR REHMAN (MEXICO) · Hair & Makeup Artist · ALPHA Production House. Hair and makeup prepares the approved appearance of a performer for the screen. The work connects character references to practical preparation and touch-ups so the intended look remains coherent across the required scenes. This professional brief explains the role’s contribution, the work it involves and the information other people need when collaborating with this part of the company. Responsibilities are carried out within the assigned brief and the relevant department’s approval process.

02

Preparation before the work

Character references, performer needs and scene changes should be reviewed before application. Suitable products, clean tools and the available preparation time form part of the practical plan for the agreed look. The useful starting point is a shared reference: the current script, the intended audience, the agreed visual language and the practical limits of the assignment. Decisions made here should give the production team a clear direction to develop. The aim is to begin with usable instructions and a shared understanding of the immediate priority. Missing information should be made visible before it turns into repeated work or an avoidable interruption.

03

Responsibilities in practice

The current role brief sets out these responsibilities. Review character references and scene-by-scene appearance requirements. Prepare products and tools using appropriate hygiene practices. Confirm performer needs and obtain approval for the planned look. Apply agreed hair and makeup within demonstrated competence. Check the look under shooting lights and perform required touch-ups. Record continuity references and complete cleaning and stock checks. Each responsibility needs a clear outcome and an appropriate check before it is treated as complete. Priorities may change with the approved assignment, but a change should be communicated to the people whose work depends on it.

04

From the brief to completion

The working sequence brings preparation, execution and review into a clear order. Review the brief and agree the screen look. Prepare the performer and check the result with camera. Maintain the look through filming and scene changes. Record continuity notes and clean the working area. Early versions make the idea discussable before substantial work is committed. Each review should distinguish an approved decision from an open question, so the next version develops a clear intention instead of collecting conflicting instructions from different conversations. Keeping the next step explicit helps the team understand when work is ready to move forward and when a decision is still needed.

05

Quality and attention to detail

The result needs checking under the actual shooting lights and camera conditions. Continuity references help guide touch-ups, while specialist prosthetic work or other advanced applications require the appropriate practitioner. A strong creative result supports the same story across its individual parts. References, timing, language and visual choices should reinforce the brief, while review notes identify specific improvements that the responsible team can actually make and assess. Useful feedback identifies the issue, its effect on the assignment and the decision or correction required. Checks are most valuable while the team still has the information and resources needed to respond.

06

Working with the wider crew

Works with performers, the director, wardrobe, camera and script supervisor; specialist prosthetic work requires the appropriate practitioner. Wardrobe and camera input helps the appearance work as a whole. The script supervisor’s continuity information supports changes between story days and distinguishes deliberate adjustments from accidental differences. Communication should make the relevant status, request and next action clear to its recipient. When an issue crosses departmental boundaries, the responsible leads need the same current information so they can agree a practical response rather than act on conflicting versions of the plan.

07

Deliverables and the final handover

The expected handover includes the following. Approved hair and makeup looks. Scene continuity references. Product, stock and handover notes. The approved version needs a clear place among the working drafts. Useful handover material includes the agreed reference, the current status, decisions already made and questions still awaiting approval, giving the receiving department a dependable starting point. Completion should therefore be understandable to the next person receiving the work: what is ready, where the relevant material belongs and which follow-up remains. An unresolved item should have a named responsible contact within the company’s working process.

08

The professional contribution

Creative work benefits from thoughtful preparation and a willingness to revise. The professional emphasis is on explaining choices, listening to specialist input and protecting the production’s agreed direction while making room for practical improvements suggested by the crew. At ALPHA Production House, the value of this role is expressed through the assigned work and the way it supports the surrounding team.

THE FINAL HANDOVER

Approved looks and continuity references

06 / MY ALPHA IDENTITY

My name.
My part in the picture.

Professional information for the public profile. Personal records and identity documents remain private.

Full name: ABDUR REHMAN (MEXICO)
Profile code: X06
Company: ALPHA Production House
Position: Hair & Makeup Artist
Department: Hair & Makeup

PERSONAL DOCUMENTS / PRIVATE ACCESS

My private file.

Personal details, ID card front and back, and saved documents.

08 / THE COMPANY

ALPHA.
Behind the picture.

Company information and the supplied public registration document.

View full certificate ↗

COMPANY DOCUMENTS · PUBLIC

ALPHA Production House Co., Ltd.

Company registration information shown on the supplied certificate of incorporation.

Certificate: MOC-00063530
Registration number: 1000648836
Incorporation date: 18 August 2026
Company type: Private Limited Company
Issuing authority: Ministry of Commerce, Cambodia

View certificate ↗Download PDF ↓

09 / LET’S CONNECT

A direct
connection.

For professional enquiries and a direct connection to this ALPHA employee profile.

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Explore ALPHA Production House.

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PEOPLE. PURPOSE. PRODUCTION.