ALPHAPRODUCTION HOUSE

ALPHA PRODUCTION HOUSESIGNATURE / X13

SOUND EDITOR

Saad Pervez.

SOUND POST-PRODUCTION/ X13

The soundtrack takes shape.
The people behind the picture.

Organizes and edits dialogue, ambience and effects so the soundtrack supports the picture and is ready for final mixing.

ROLE AT ALPHASound EditorEMPLOYEE CODEX13

Saad Pervez / ALPHAX13

MY ROLE / 01SELECT A POINT ON THE RING

Start with the picture reference.

Check the approved picture version and organize dialogue, ambience and other approved sound sources.

THE ALPHA STUDIO SIGNATURE / X13SCROLL TO DISCOVER ↓ALPHA / X13

02 / THE PERSON

One company.
A connected approach.

Organizes and edits dialogue, ambience and effects so the soundtrack supports the picture and is ready for final mixing.

SAAD PERVEZ / X13

Sound Editor at ALPHA.

Saad Pervez · Sound Editor · ALPHA Production House. Sound editing gives dialogue, ambience and effects a coherent relationship to the picture. The role prepares organized sound material that supports the scene and gives the final mixer a clear foundation for the soundtrack. This professional brief explains the role’s contribution, the work it involves and the information other people need when collaborating with this part of the company. Responsibilities are carried out within the assigned brief and the relevant department’s approval process.

Works with the director, picture editor, production recordist, voice performers and final sound mixer.

MY PLACE AT ALPHAX13SOUND POST-PRODUCTION

Sound Editor · ALPHA Production House

The people behind the production

Part of the team.

Saad Pervez works within the sound post-production function at ALPHA Production House.

A HUMAN APPROACH. A CREATIVE MINDSET.

Sound Editor.
Behind the production.

THE SOUNDTRACK TAKES SHAPE
Sound Post-production · ALPHA Production House

Explore the full role story ↗

ALPHA / THE NEXT CHAPTER

Studio light on

Bring the set
to life.

THE WORK BEHIND THE PRODUCTION

Every scene needs
a connected team.

Start with the picture reference.

Check the approved picture version and organize dialogue, ambience and other approved sound sources.

03 / MY ROLE

The work behind
the production.

The responsibilities and practical work within this role at ALPHA Production House.

Showing 6 responsibilities.

01

ORGANIZE

Check received audio against the approved picture version.

Sound Post-production / Sound Editor

02

EDIT

Edit dialogue and identify material needing additional recording.

Sound Post-production / Sound Editor

03

MIX PREP

Build consistent ambience and scene-to-scene audio transitions.

Sound Post-production / Sound Editor

04

ORGANIZE

Place approved effects, Foley and music elements in sync.

Sound Post-production / Sound Editor

05

EDIT

Label tracks and document unresolved sound problems.

Sound Post-production / Sound Editor

06

MIX PREP

Prepare organized sessions and audio elements for the final mixer.

Sound Post-production / Sound Editor

04 / WORKING APPROACH

Clarity at every step.

From source recordings to mix preparation. A connected approach from the brief to the final handover.

THE WORKING APPROACH

Start with what matters.

Receive the picture reference and organize sound sources.

05 / THE PROFESSIONAL STORY

The person.
The work behind the role.

A detailed view of Saad Pervez’s role, daily responsibilities, collaboration and contribution at ALPHA Production House.

01

The role at ALPHA

Saad Pervez · Sound Editor · ALPHA Production House. Sound editing gives dialogue, ambience and effects a coherent relationship to the picture. The role prepares organized sound material that supports the scene and gives the final mixer a clear foundation for the soundtrack. This professional brief explains the role’s contribution, the work it involves and the information other people need when collaborating with this part of the company. Responsibilities are carried out within the assigned brief and the relevant department’s approval process.

02

Preparation before the work

The approved picture reference establishes timing, while source audio and recording notes explain the available material. Missing lines or unsuitable recordings should be identified early enough for the relevant production decision. Post-production begins with an agreed source version, the relevant creative references and a clear delivery requirement. Project organization at this stage should make it possible to trace the relationship between received material, working versions and subsequent review changes. The aim is to begin with usable instructions and a shared understanding of the immediate priority. Missing information should be made visible before it turns into repeated work or an avoidable interruption.

03

Responsibilities in practice

The current role brief sets out these responsibilities. Check received audio against the approved picture version. Edit dialogue and identify material needing additional recording. Build consistent ambience and scene-to-scene audio transitions. Place approved effects, Foley and music elements in sync. Label tracks and document unresolved sound problems. Prepare organized sessions and audio elements for the final mixer. Each responsibility needs a clear outcome and an appropriate check before it is treated as complete. Priorities may change with the approved assignment, but a change should be communicated to the people whose work depends on it.

04

From the brief to completion

The working sequence brings preparation, execution and review into a clear order. Receive the picture reference and organize sound sources. Edit dialogue and assemble ambience and effects. Review synchronization and address approved sound notes. Hand the prepared session and issue list to mixing. Work progresses through versions that can be reviewed and compared. Feedback should identify the relevant shot, time or element and distinguish required corrections from optional suggestions, allowing the next pass to address the approved priorities without losing earlier decisions. Keeping the next step explicit helps the team understand when work is ready to move forward and when a decision is still needed.

05

Quality and attention to detail

Dialogue joins, ambience changes and synchronized effects should be reviewed in context. Track labels and issue notes need to distinguish deliberate creative choices from problems still awaiting a pickup or replacement. A complete review looks beyond an isolated attractive frame or moment. The result needs to behave consistently across the sequence and in its intended format, with technical issues, missing elements and unresolved notes made visible before final delivery. Useful feedback identifies the issue, its effect on the assignment and the decision or correction required. Checks are most valuable while the team still has the information and resources needed to respond.

06

Working with the wider crew

Works with the director, picture editor, production recordist, voice performers and final sound mixer. The picture editor supplies change information, and the recordist or voice performer supports agreed additional recording. The final mixer receives a prepared session with understandable track organization and unresolved issues. Communication should make the relevant status, request and next action clear to its recipient. When an issue crosses departmental boundaries, the responsible leads need the same current information so they can agree a practical response rather than act on conflicting versions of the plan.

07

Deliverables and the final handover

The expected handover includes the following. Edited and synchronized sound tracks. ADR or pickup requirements. Organized mix-preparation session and notes. Final exports should be accompanied by the project information the next team needs. Source references, version labels, agreed specifications and a short record of unresolved items help prevent an outdated preview from being mistaken for the approved deliverable. Completion should therefore be understandable to the next person receiving the work: what is ready, where the relevant material belongs and which follow-up remains. An unresolved item should have a named responsible contact within the company’s working process.

08

The professional contribution

The professional emphasis is on organized decisions and repeatable delivery. Thoughtful file management, clear review notes and disciplined version control protect the creative work while allowing another authorized team member to understand the project and continue it when necessary. At ALPHA Production House, the value of this role is expressed through the assigned work and the way it supports the surrounding team.

THE FINAL HANDOVER

Edited tracks and mix-preparation notes

06 / MY ALPHA IDENTITY

My name.
My part in the picture.

Professional information for the public profile. Personal records and identity documents remain private.

Full name: Saad Pervez
Profile code: X13
Company: ALPHA Production House
Position: Sound Editor
Department: Sound Post-production

PERSONAL DOCUMENTS / PRIVATE ACCESS

My private file.

Personal details, ID card front and back, and saved documents.

08 / THE COMPANY

ALPHA.
Behind the picture.

Company information and the supplied public registration document.

View full certificate ↗

COMPANY DOCUMENTS · PUBLIC

ALPHA Production House Co., Ltd.

Company registration information shown on the supplied certificate of incorporation.

Certificate: MOC-00063530
Registration number: 1000648836
Incorporation date: 18 August 2026
Company type: Private Limited Company
Issuing authority: Ministry of Commerce, Cambodia

View certificate ↗Download PDF ↓

09 / LET’S CONNECT

A direct
connection.

For professional enquiries and a direct connection to this ALPHA employee profile.

Employee portal

Public profile · no sign-in required.

Open Employee portal ↗

ALPHA website

Explore ALPHA Production House.

Open ALPHA website ↗

KEEP THE CONNECTION

Saad Pervez. Saved.

Save the name, role and profile link to your contacts.

PEOPLE. PURPOSE. PRODUCTION.